{"id":4835,"date":"2018-08-30T15:04:31","date_gmt":"2018-08-30T18:04:31","guid":{"rendered":"http:\/\/mixbrasil.org.br\/21\/?p=4835"},"modified":"2018-08-30T15:08:23","modified_gmt":"2018-08-30T18:08:23","slug":"eternamente-elza","status":"publish","type":"post","link":"https:\/\/old.mixbrasil.org.br\/21\/eternamente-elza\/","title":{"rendered":"Eternamente Elza"},"content":{"rendered":"<table>\n<tbody>\n<tr>\n<td>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"10\">\n<tbody>\n<tr>\n<td valign=\"top\"><span class=\"tit\">Eternamente Elza<\/span><br \/>\n<span class=\"dst\"><i><b>Forever Elza<\/b><\/i><\/span><br \/>\nBrasil\u00a0|\u00a02013\u00a0|\u00a017<br \/>\nDiretor | Director\u00a0<b>Alexandre Figuer\u00f4a, Paulo Feitosa<\/b><br \/>\n<span class=\"rdz_link\">Al\u00e9m da Curva<\/span><\/td>\n<\/tr>\n<tr>\n<td width=\"100%\" height=\"20\">\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\" height=\"1\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2013\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\">Eternamente Elza acompanha o cotidiano e as mem\u00f3rias de Elza Show, transformista recifense dedicada a cantar as grandes divas brasileiras do r\u00e1dio.<\/td>\n<\/tr>\n<tr>\n<td width=\"100%\" height=\"20\">\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\" height=\"1\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2013\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\"><i>Forever Elza follows the daily life and memories of Elza Show, travestite from Recife who sings the greatest Brazilian radio divas&#8217;s songs. EXCLUIR O TRECHO SEGUINTE: The divas used to sing on the radio.<\/i><\/td>\n<\/tr>\n<tr>\n<td width=\"100%\" height=\"20\">\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\" height=\"1\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2013\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"rdz\" valign=\"top\"><b><i>Programa\u00e7\u00e3o:<\/i><\/b><br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2013\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"3\" border=\"0\" \/><\/p>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>13 de Novembro \/ Quarta-feira &#8211; Cine Olido &#8211; 17h &#8211; Al\u00e9m da Curva (Curtas Mix Brasil), V\u00e1rios, 90\u2019<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li>14 de Novembro \/ Quinta-feira &#8211; CCSP \u2013 Sala Lima Barreto &#8211; 16h20 &#8211; Al\u00e9m da Curva (Curtas Mix Brasil), V\u00e1rios, 90\u2019<\/li>\n<\/ul>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-4836\" src=\"http:\/\/mixbrasil.org.br\/21\/wp-content\/uploads\/2018\/08\/9956884436_864f810682-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/old.mixbrasil.org.br\/21\/wp-content\/uploads\/2018\/08\/9956884436_864f810682-300x225.jpg 300w, https:\/\/old.mixbrasil.org.br\/21\/wp-content\/uploads\/2018\/08\/9956884436_864f810682.jpg 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Eternamente Elza Forever Elza Brasil\u00a0|\u00a02013\u00a0|\u00a017 Diretor | Director\u00a0Alexandre Figuer\u00f4a, Paulo Feitosa Al\u00e9m da Curva Eternamente Elza acompanha o cotidiano e as mem\u00f3rias de Elza Show, transformista recifense dedicada a cantar as grandes divas brasileiras do r\u00e1dio. Forever Elza follows the daily life and memories of Elza Show, travestite from Recife who sings the greatest Brazilian &hellip;<\/p>\n","protected":false},"author":3,"featured_media":4836,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187],"tags":[],"class_list":["post-4835","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-alemdacurva"],"_links":{"self":[{"href":"https:\/\/old.mixbrasil.org.br\/21\/wp-json\/wp\/v2\/posts\/4835","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/old.mixbrasil.org.br\/21\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/old.mixbrasil.org.br\/21\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/old.mixbrasil.org.br\/21\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/old.mixbrasil.org.br\/21\/wp-json\/wp\/v2\/comments?post=4835"}],"version-history":[{"count":2,"href":"https:\/\/old.mixbrasil.org.br\/21\/wp-json\/wp\/v2\/posts\/4835\/revisions"}],"predecessor-version":[{"id":4843,"href":"https:\/\/old.mixbrasil.org.br\/21\/wp-json\/wp\/v2\/posts\/4835\/revisions\/4843"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/old.mixbrasil.org.br\/21\/wp-json\/wp\/v2\/media\/4836"}],"wp:attachment":[{"href":"https:\/\/old.mixbrasil.org.br\/21\/wp-json\/wp\/v2\/media?parent=4835"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/old.mixbrasil.org.br\/21\/wp-json\/wp\/v2\/categories?post=4835"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/old.mixbrasil.org.br\/21\/wp-json\/wp\/v2\/tags?post=4835"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}