{"id":5198,"date":"2018-08-31T18:07:29","date_gmt":"2018-08-31T21:07:29","guid":{"rendered":"http:\/\/mixbrasil.org.br\/21\/?p=5198"},"modified":"2018-09-03T09:36:00","modified_gmt":"2018-09-03T12:36:00","slug":"interior-leather-bar","status":"publish","type":"post","link":"https:\/\/old.mixbrasil.org.br\/21\/interior-leather-bar\/","title":{"rendered":"Interior. Leather Bar."},"content":{"rendered":"<table>\n<tbody>\n<tr>\n<td>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"10\">\n<tbody>\n<tr>\n<td valign=\"top\"><span class=\"tit\">Interior. Leather Bar.<\/span><br \/>\n<span class=\"dst\"><i><b>Interior. Leather Bar.<\/b><\/i><\/span><br \/>\nUSA\u00a0|\u00a02013\u00a0|\u00a060<br \/>\nDiretor | Director\u00a0<b>Travis Mathews<\/b><br \/>\n<span class=\"rdz_link\">Travis Mathwes<\/span><\/td>\n<\/tr>\n<tr>\n<td width=\"100%\" height=\"20\">\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\" height=\"1\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2013\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\">Para evitar uma restri\u00e7\u00e3o para menores de idade, houve o boato de que uma grava\u00e7\u00e3o de 40 minutos do filme &#8220;Cruising&#8221;, com cenas de sadomasoquismo, foi cortada e destru\u00edda. Inspirados pela mitologia desse filme controverso, os cineastas James Franco e Travis Mathews colaboraram para imaginar sua pr\u00f3pria grava\u00e7\u00e3o perdida. Em meio a um pano de fundo de um set de filmagem fren\u00e9tico, o ator Val Lauren concorda, com relut\u00e2ncia, em fazer parte do filme. Val \u00e9 repetidamente obrigado a negociar seus limites durante as cenas e tamb\u00e9m as grava\u00e7\u00f5es fora de cena, conforme o sexo gay n\u00e3o simulado acontece ao seu redor. O filme \u00e9 constru\u00eddo como um jogo, com limites que lembram o queer em objeto e forma. Tanto quanto um filme sobre filmagem, tamb\u00e9m \u00e9 sobre a explora\u00e7\u00e3o da liberdade sexual e criativa. &#8220;Interior. Leather Bar.&#8221; desafia a categoriza\u00e7\u00e3o f\u00e1cil.<\/td>\n<\/tr>\n<tr>\n<td width=\"100%\" height=\"20\">\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\" height=\"1\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2013\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\"><i>In order to avoid an X rating, 40 minutes of gay S&amp;M footage was rumored to be cut and destroyed from the 1980 film, \u201cCruising.\u201d Inspired by the mythology of this controversial film, filmmakers James Franco and Travis Mathews collaborate to imagine their own lost footage. Amid the backdrop of a frenzied film set actor Val Lauren reluctantly agrees to take the lead in the film. Val is repeatedly forced to negotiate his boundaries during scenes on and \u201coff camera,\u201d as unsimulated gay sex happens around him. The film itself is constructed as a play with boundaries remaining queer in subject and form. As much a film about filmmaking as it is about an exploration of sexual and creative freedom, \u201cInterior. Leather Bar.\u201d defies easy categorization<\/i><\/td>\n<\/tr>\n<tr>\n<td width=\"100%\" height=\"20\">\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\" height=\"1\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2013\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"rdz\" valign=\"top\"><b><i>Ficha T\u00e9cnica:<\/i><\/b><br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2013\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"3\" border=\"0\" \/><br \/>\nELENCO Val Lauren, Christian Patrick, Brenden Gregory, James Franco | ROTEIRO Travis Mathews | FOTOGRAFIA Keith Wilson | MONTAGEM Travis Mathews | M\u00daSICA Santiago Latorre | PRODU\u00c7\u00c3O James Franco, Vince Jolivette, Travis Mathews, Irirs Torres, Keith Wilson,<\/td>\n<\/tr>\n<tr>\n<td width=\"100%\" height=\"20\">\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\" height=\"1\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2013\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"rdz\" valign=\"top\"><b><i>Filmografia do Diretor:<\/i><\/b><br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2013\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"3\" border=\"0\" \/><br \/>\nJames Franco 2013 Child of God 2013 As I Lay Dying 2012 My Own Private River 2011 The Broken Tower Travis Mathews 2013 In Their Room: London 2012 I Want Your Love 2011 In Their Room: Berlin 2009 In Their Room: San Francisco<\/td>\n<\/tr>\n<tr>\n<td width=\"100%\" height=\"20\">\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\" height=\"1\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2013\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"rdz\" valign=\"top\"><b><i>Programa\u00e7\u00e3o:<\/i><\/b><br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2013\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"3\" border=\"0\" \/><\/p>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>09 de Novembro \/ S\u00e1bado &#8211; CineSesc &#8211; 22h &#8211; Interior. Leather Bar. + In Their Room: London (Homenagem Travis Mathwes), EUA, 92\u2019<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li>11 de Novembro \/ Segunda-feira &#8211; Espa\u00e7o Itau de Cinema &#8211; 20h &#8211; Interior. Leather Bar. + In Their Room: London (Homenagem Travis Mathwes), EUA, 92\u2019<\/li>\n<\/ul>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-5199\" src=\"http:\/\/mixbrasil.org.br\/21\/wp-content\/uploads\/2018\/08\/9577169409_5b4f27f98c-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/old.mixbrasil.org.br\/21\/wp-content\/uploads\/2018\/08\/9577169409_5b4f27f98c-300x169.jpg 300w, https:\/\/old.mixbrasil.org.br\/21\/wp-content\/uploads\/2018\/08\/9577169409_5b4f27f98c.jpg 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/74AnBwNJoVk\" width=\"500\" height=\"375\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Interior. Leather Bar. Interior. Leather Bar. USA\u00a0|\u00a02013\u00a0|\u00a060 Diretor | Director\u00a0Travis Mathews Travis Mathwes Para evitar uma restri\u00e7\u00e3o para menores de idade, houve o boato de que uma grava\u00e7\u00e3o de 40 minutos do filme &#8220;Cruising&#8221;, com cenas de sadomasoquismo, foi cortada e destru\u00edda. Inspirados pela mitologia desse filme controverso, os cineastas James Franco e Travis Mathews &hellip;<\/p>\n","protected":false},"author":3,"featured_media":5199,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[225,210],"tags":[],"class_list":["post-5198","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2020-horas","category-travismathews"],"_links":{"self":[{"href":"https:\/\/old.mixbrasil.org.br\/21\/wp-json\/wp\/v2\/posts\/5198","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/old.mixbrasil.org.br\/21\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/old.mixbrasil.org.br\/21\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/old.mixbrasil.org.br\/21\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/old.mixbrasil.org.br\/21\/wp-json\/wp\/v2\/comments?post=5198"}],"version-history":[{"count":1,"href":"https:\/\/old.mixbrasil.org.br\/21\/wp-json\/wp\/v2\/posts\/5198\/revisions"}],"predecessor-version":[{"id":5200,"href":"https:\/\/old.mixbrasil.org.br\/21\/wp-json\/wp\/v2\/posts\/5198\/revisions\/5200"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/old.mixbrasil.org.br\/21\/wp-json\/wp\/v2\/media\/5199"}],"wp:attachment":[{"href":"https:\/\/old.mixbrasil.org.br\/21\/wp-json\/wp\/v2\/media?parent=5198"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/old.mixbrasil.org.br\/21\/wp-json\/wp\/v2\/categories?post=5198"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/old.mixbrasil.org.br\/21\/wp-json\/wp\/v2\/tags?post=5198"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}