{"id":114,"date":"2018-09-28T18:03:03","date_gmt":"2018-09-28T21:03:03","guid":{"rendered":"http:\/\/mixbrasil.org.br\/23\/?p=114"},"modified":"2018-09-28T18:03:03","modified_gmt":"2018-09-28T21:03:03","slug":"a-paixao-de-jl","status":"publish","type":"post","link":"https:\/\/old.mixbrasil.org.br\/23\/2018\/09\/28\/a-paixao-de-jl\/","title":{"rendered":"A Paix\u00e3o de JL"},"content":{"rendered":"<table style=\"width: 800.5px;\">\n<tbody>\n<tr>\n<td style=\"width: 778.5px;\">\n<table style=\"width: 822.5px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"10\">\n<tbody>\n<tr>\n<td style=\"width: 392px;\" valign=\"top\">\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"10\">\n<tbody>\n<tr>\n<td valign=\"top\"><img decoding=\"async\" src=\"https:\/\/farm1.staticflickr.com\/580\/22065090951_bc792c9906_h.jpg\" alt=\"\" width=\"500\" \/><\/td>\n<\/tr>\n<tr>\n<td height=\"20\"><\/td>\n<\/tr>\n<tr>\n<td valign=\"top\">\n<div style=\"position: relative; height: 0; padding-bottom: 75%;\"><iframe loading=\"lazy\" style=\"position: absolute; width: 100%; height: 100%; left: 0;\" src=\"https:\/\/www.youtube.com\/embed\/8FSbZCzVhKc?ecver=2\" width=\"480\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<td style=\"width: 395.5px;\" valign=\"top\">\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"10\">\n<tbody>\n<tr>\n<td valign=\"top\"><span class=\"tit\">A Paix\u00e3o de JL<\/span><br \/>\n<span class=\"dst\"><i><b>JL&#8217;s Passion<\/b><\/i><\/span><br \/>\nBrasil\u00a0|\u00a02014\u00a0|\u00a082&#8242;<br \/>\nDiretor | Director\u00a0<b>Carlos Nader<\/b><br \/>\n<a class=\"rdz_link\" href=\"http:\/\/anteriores.mixbrasil.org.br\/2015\/filmes\/index.asp?lng=&amp;mostra=COMPETITIVA+BRASIL+%2D+LONGAS\">COMPETITIVA BRASIL &#8211; LONGAS<\/a><\/td>\n<\/tr>\n<tr>\n<td width=\"100%\" height=\"20\">\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\" height=\"1\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2015\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\">Em janeiro de 1990, aos 33 anos, o artista Jos\u00e9 Leonilson come\u00e7a a gravar, em fitas cassete, um di\u00e1rio \u00edntimo. Coment\u00e1rios sobre os acontecimentos que sacudiam o pa\u00eds, em plena era Collor, e o exterior, como a queda do Muro de Berlim, percorrem suas confiss\u00f5es, bem como impress\u00f5es sobre os diversos filmes a que assistia. Esses registros de um artista sens\u00edvel e antenado \u00e0 contemporaneidade, que a princ\u00edpio n\u00e3o visavam mais do que testemunhar a sintonia entre sua vida e uma obra muito peculiar e intimista sofrem, no entanto, o impacto da descoberta de que Leonilson \u00e9 portador do HIV. A incerteza e a urg\u00eancia passam a impregnar os seus relatos.<\/td>\n<\/tr>\n<tr>\n<td width=\"100%\" height=\"20\">\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\" height=\"1\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2015\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\"><i>In January 1990, at the age of 33, the artist Jos\u00e9 Leonilson starts registering an intimate journal in a tape recorder. His views on events that shook both Brazil, such as the resignation of former president Collor, and overseas, such as the fall of the Berlin Wall, permeate his confessions. He also talks about his impressions on the various movies he used to watch. The records of this sensitive artist in tune with modern life did not intend, at first, anything more than register the harmony that existed between his life and his peculiar and intimate work. However, J.L. suffers the unexpected blow of the discovery that he himself is HIV positive. The uncertainty and urgency in his life begin to permeate his reports.<\/i><\/td>\n<\/tr>\n<tr>\n<td width=\"100%\" height=\"20\">\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\" height=\"1\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2015\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"rdz\" valign=\"top\"><b><i>Ficha T\u00e9cnica:<\/i><\/b><br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2015\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"3\" border=\"0\" \/><br \/>\nROTEIRO: Carlos Nader FOTOGRAFIA: Fernando Laszlo, Marcos Villas Boas, Renata Ursaia MONTAGEM: Carlos Nader, Yuri Amaral SOM: Daniel Zimmerman PRODU\u00c7\u00c3O:K\u00e1tia Nascimento, Fl\u00e1vio Botelho, J\u00e1 Filmes<\/td>\n<\/tr>\n<tr>\n<td width=\"100%\" height=\"20\">\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\" height=\"1\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2015\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"rdz\" valign=\"top\"><b><i>Filmografia do Diretor:<\/i><\/b><br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2015\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"3\" border=\"0\" \/><br \/>\n2014 Homem Comum 2013 Eduardo Coutinho, 7 de Outubro 2012 Soberano 2 &#8211; A Hist\u00f3rica Conquista do Mundial de 2005 2011 Tela 2009 Soberano &#8211; Seis Vezes S\u00e3o Paulo 2008 Pan-Cinema Permanente 2004 Preto e Branco 1999 Carlos Nader 1996 O fim da viagem 1995 Trovo<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>A Paix\u00e3o de JL JL&#8217;s Passion Brasil\u00a0|\u00a02014\u00a0|\u00a082&#8242; Diretor | Director\u00a0Carlos Nader COMPETITIVA BRASIL &#8211; LONGAS Em janeiro de 1990, aos 33 anos, o artista Jos\u00e9 Leonilson come\u00e7a a gravar, em fitas cassete, um di\u00e1rio \u00edntimo. Coment\u00e1rios sobre os acontecimentos que sacudiam o pa\u00eds, em plena era Collor, e o exterior, como a queda do Muro &hellip;<\/p>\n","protected":false},"author":3,"featured_media":115,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,8],"tags":[],"class_list":["post-114","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-competitivalongas","category-filmes"],"_links":{"self":[{"href":"https:\/\/old.mixbrasil.org.br\/23\/wp-json\/wp\/v2\/posts\/114","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/old.mixbrasil.org.br\/23\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/old.mixbrasil.org.br\/23\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/old.mixbrasil.org.br\/23\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/old.mixbrasil.org.br\/23\/wp-json\/wp\/v2\/comments?post=114"}],"version-history":[{"count":1,"href":"https:\/\/old.mixbrasil.org.br\/23\/wp-json\/wp\/v2\/posts\/114\/revisions"}],"predecessor-version":[{"id":116,"href":"https:\/\/old.mixbrasil.org.br\/23\/wp-json\/wp\/v2\/posts\/114\/revisions\/116"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/old.mixbrasil.org.br\/23\/wp-json\/wp\/v2\/media\/115"}],"wp:attachment":[{"href":"https:\/\/old.mixbrasil.org.br\/23\/wp-json\/wp\/v2\/media?parent=114"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/old.mixbrasil.org.br\/23\/wp-json\/wp\/v2\/categories?post=114"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/old.mixbrasil.org.br\/23\/wp-json\/wp\/v2\/tags?post=114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}