{"id":154,"date":"2018-10-01T11:04:28","date_gmt":"2018-10-01T14:04:28","guid":{"rendered":"http:\/\/mixbrasil.org.br\/23\/?p=154"},"modified":"2018-10-01T11:04:28","modified_gmt":"2018-10-01T14:04:28","slug":"action-painting-no1-no2","status":"publish","type":"post","link":"https:\/\/old.mixbrasil.org.br\/23\/2018\/10\/01\/action-painting-no1-no2\/","title":{"rendered":"Action Painting n\u00ba1\/n\u00ba2"},"content":{"rendered":"<table>\n<tbody>\n<tr>\n<td>\n<table style=\"width: 704px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"10\">\n<tbody>\n<tr>\n<td style=\"width: 302.5px;\" valign=\"top\">\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"10\">\n<tbody>\n<tr>\n<td valign=\"top\"><img decoding=\"async\" src=\"https:\/\/farm6.staticflickr.com\/5775\/21762587564_a7cad875cb_k.jpg\" alt=\"\" width=\"500\" \/><\/td>\n<\/tr>\n<tr>\n<td height=\"20\"><\/td>\n<\/tr>\n<tr>\n<td valign=\"top\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<td style=\"width: 365.5px;\" valign=\"top\">\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"10\">\n<tbody>\n<tr>\n<td valign=\"top\"><span class=\"tit\">Action Painting n\u00ba1\/n\u00ba2<\/span><br \/>\n<span class=\"dst\"><i><b>Action Painting n\u00ba1\/n\u00ba2<\/b><\/i><\/span><br \/>\nBrasil\u00a0|\u00a0Curitiba-PR\u00a0|\u00a02014\u00a0|\u00a07&#8242;<br \/>\nDiretor | Director\u00a0<b>Krefer, Turca<\/b><br \/>\n<span class=\"rdz_link\">Sexo e Literatura<\/span><br \/>\n<span class=\"rdz_link\">Competitiva Brasil &#8211; Curtas II<\/span><\/td>\n<\/tr>\n<tr>\n<td width=\"100%\" height=\"20\">\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\" height=\"1\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2015\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\">Sexo como gesto criativo m\u00fatuo. Em Action Painting No. 1, ela responde aos movimentos dele arranhando suas costas e deixando marcas de sangue. Em Action Painting No. 2, ele pinga cera de vela quente nas costas dela durante o ato.<\/td>\n<\/tr>\n<tr>\n<td width=\"100%\" height=\"20\">\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\" height=\"1\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2015\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\"><i>Sex as mutual creative gesture. In Action Painting No. 1, she responds to his movements scratching his back and leaving blood stains. In Action Painting No. 2, he drips hot candle wax on her back during the act.<\/i><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Action Painting n\u00ba1\/n\u00ba2 Action Painting n\u00ba1\/n\u00ba2 Brasil\u00a0|\u00a0Curitiba-PR\u00a0|\u00a02014\u00a0|\u00a07&#8242; Diretor | Director\u00a0Krefer, Turca Sexo e Literatura Competitiva Brasil &#8211; Curtas II Sexo como gesto criativo m\u00fatuo. Em Action Painting No. 1, ela responde aos movimentos dele arranhando suas costas e deixando marcas de sangue. Em Action Painting No. 2, ele pinga cera de vela quente nas costas &hellip;<\/p>\n","protected":false},"author":3,"featured_media":155,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14,8],"tags":[],"class_list":["post-154","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-curtas-amor-que-doi","category-filmes"],"_links":{"self":[{"href":"https:\/\/old.mixbrasil.org.br\/23\/wp-json\/wp\/v2\/posts\/154","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/old.mixbrasil.org.br\/23\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/old.mixbrasil.org.br\/23\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/old.mixbrasil.org.br\/23\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/old.mixbrasil.org.br\/23\/wp-json\/wp\/v2\/comments?post=154"}],"version-history":[{"count":1,"href":"https:\/\/old.mixbrasil.org.br\/23\/wp-json\/wp\/v2\/posts\/154\/revisions"}],"predecessor-version":[{"id":156,"href":"https:\/\/old.mixbrasil.org.br\/23\/wp-json\/wp\/v2\/posts\/154\/revisions\/156"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/old.mixbrasil.org.br\/23\/wp-json\/wp\/v2\/media\/155"}],"wp:attachment":[{"href":"https:\/\/old.mixbrasil.org.br\/23\/wp-json\/wp\/v2\/media?parent=154"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/old.mixbrasil.org.br\/23\/wp-json\/wp\/v2\/categories?post=154"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/old.mixbrasil.org.br\/23\/wp-json\/wp\/v2\/tags?post=154"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}