{"id":76,"date":"2018-09-28T17:26:54","date_gmt":"2018-09-28T20:26:54","guid":{"rendered":"http:\/\/mixbrasil.org.br\/23\/?p=76"},"modified":"2018-09-28T17:26:54","modified_gmt":"2018-09-28T20:26:54","slug":"ashes-of-the-afternoon-134-mortes","status":"publish","type":"post","link":"https:\/\/old.mixbrasil.org.br\/23\/2018\/09\/28\/ashes-of-the-afternoon-134-mortes\/","title":{"rendered":"Ashes of the Afternoon (134 Mortes)"},"content":{"rendered":"<table>\n<tbody>\n<tr>\n<td>\n<table style=\"width: 702px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"10\">\n<tbody>\n<tr>\n<td style=\"width: 355.5px;\" valign=\"top\">\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"10\">\n<tbody>\n<tr>\n<td valign=\"top\"><img decoding=\"async\" src=\"https:\/\/farm1.staticflickr.com\/593\/21877744149_31dd3e6738_k.jpg\" alt=\"\" width=\"500\" \/><\/td>\n<\/tr>\n<tr>\n<td height=\"20\"><\/td>\n<\/tr>\n<tr>\n<td valign=\"top\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<td style=\"width: 311.5px;\" valign=\"top\">\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"10\">\n<tbody>\n<tr>\n<td valign=\"top\"><span class=\"tit\">Ashes of the Afternoon (134 Mortes)<\/span><br \/>\n<span class=\"dst\"><i><b>Ashes of the Afternoon (134 Deaths)\u00a0<\/b><\/i><\/span><br \/>\nBrasil\u00a0|\u00a0Rio de Janeiro-RJ\u00a0|\u00a02015\u00a0|\u00a010&#8242;<br \/>\nDiretor | Director\u00a0<b>M\u00e1rcia Bellotti<\/b><br \/>\n<a class=\"rdz_link\" href=\"http:\/\/anteriores.mixbrasil.org.br\/2015\/filmes\/index.asp?lng=&amp;mostra=COMPETITIVA+BRASIL+%2D+CURTAS+2\">COMPETITIVA BRASIL &#8211; CURTAS 2<\/a><\/td>\n<\/tr>\n<tr>\n<td width=\"100%\" height=\"20\">\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\" height=\"1\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2015\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\">O filme parte de uma vis\u00e3o surrealista para trazer uma cr\u00edtica pol\u00edtica contempor\u00e2nea sobre a viol\u00eancia que for\u00e7osamente envolve o dia-a-dia das pessoas transexuais no Brasil.<\/td>\n<\/tr>\n<tr>\n<td width=\"100%\" height=\"20\">\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\" height=\"1\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2015\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\"><i>A surrealistic film portraying a contemporary political criticism about the everyday violence suffered by transgender people in Brasil.<\/i><\/td>\n<\/tr>\n<tr>\n<td width=\"100%\" height=\"20\">\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\" height=\"1\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2015\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"rdz\" valign=\"top\"><b><i>Ficha T\u00e9cnica:<\/i><\/b><br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2015\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"3\" border=\"0\" \/><br \/>\nELENCO: Luiza Porto ROTEIRO: M\u00e1rcia Bellotti FOTOGRAFIA: M\u00e1rcia Bellotti MONTAGEM: Luiza Porto SOM: Luiza Porto PRODU\u00c7\u00c3O: Luiza Porto, M\u00e1rcia Bellotti<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Ashes of the Afternoon (134 Mortes) Ashes of the Afternoon (134 Deaths)\u00a0 Brasil\u00a0|\u00a0Rio de Janeiro-RJ\u00a0|\u00a02015\u00a0|\u00a010&#8242; Diretor | Director\u00a0M\u00e1rcia Bellotti COMPETITIVA BRASIL &#8211; CURTAS 2 O filme parte de uma vis\u00e3o surrealista para trazer uma cr\u00edtica pol\u00edtica contempor\u00e2nea sobre a viol\u00eancia que for\u00e7osamente envolve o dia-a-dia das pessoas transexuais no Brasil. A surrealistic film portraying a &hellip;<\/p>\n","protected":false},"author":3,"featured_media":77,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,8],"tags":[],"class_list":["post-76","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-competitiva2","category-filmes"],"_links":{"self":[{"href":"https:\/\/old.mixbrasil.org.br\/23\/wp-json\/wp\/v2\/posts\/76","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/old.mixbrasil.org.br\/23\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/old.mixbrasil.org.br\/23\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/old.mixbrasil.org.br\/23\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/old.mixbrasil.org.br\/23\/wp-json\/wp\/v2\/comments?post=76"}],"version-history":[{"count":1,"href":"https:\/\/old.mixbrasil.org.br\/23\/wp-json\/wp\/v2\/posts\/76\/revisions"}],"predecessor-version":[{"id":78,"href":"https:\/\/old.mixbrasil.org.br\/23\/wp-json\/wp\/v2\/posts\/76\/revisions\/78"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/old.mixbrasil.org.br\/23\/wp-json\/wp\/v2\/media\/77"}],"wp:attachment":[{"href":"https:\/\/old.mixbrasil.org.br\/23\/wp-json\/wp\/v2\/media?parent=76"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/old.mixbrasil.org.br\/23\/wp-json\/wp\/v2\/categories?post=76"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/old.mixbrasil.org.br\/23\/wp-json\/wp\/v2\/tags?post=76"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}