\n| 20h30<\/span><\/span><\/td>\n | Curtas Mix Brasil: \u00c1SIA EM CHAMAS (76′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Panorama Internacional: YES, WE FUCK! (60′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Panorama Internacional: ESTRANHA (88′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Competitiva Brasil: CURTAS 3 – Dois (78′)<\/span><\/span><\/td>\n | <\/td>\n | Competitiva Brasil: CURTAS 2 – Testosterona (69′)<\/span><\/td>\n | Panorama Internacional: A TERCEIRA PESSOA (57′) \/ ABRE: Eudy Simelane: Uma Vida Abreviada (18′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Curtas Mix Brasil: \u00c1SIA EM CHAMAS (76′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/span><\/td>\n | Panorama Internacional: A SUDOESTE DE SALEM: A HIST\u00d3RIA DAS QUATRO DE SAN ANTONIO (91′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Competitiva Brasil: A CIDADE DO FUTURO (75′)<\/span><\/td>\n | Panorama Internacional: REAL BOY (80′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n<\/tr>\n\n| <\/td>\n<\/tr>\n | \n| <\/td>\n | 10 \/ nov<\/span><\/span><\/td>\n | 11 \/ nov<\/span><\/span><\/td>\n | 12 \/ nov<\/span><\/span><\/td>\n | 13 \/ nov<\/span><\/span><\/td>\n | 14 \/ nov<\/span><\/span><\/td>\n | 15 \/ nov<\/span><\/span><\/td>\n | 16 \/ nov<\/span><\/span><\/td>\n | 17 \/ nov<\/span><\/span><\/td>\n | 18 \/ nov<\/span><\/span><\/td>\n | 19 \/ nov<\/span><\/span><\/td>\n | 20 \/ nov<\/span><\/span><\/td>\n<\/tr>\n\n| quem<\/span><\/span><\/td>\n | sexo<\/span><\/span><\/td>\n | sab<\/span><\/span><\/td>\n | julgamento<\/span><\/span><\/td>\n | se<\/span><\/span><\/td>\n | ter<\/span><\/td>\n | atrav\u00e9s de<\/span><\/span><\/td>\n | quem<\/span><\/span><\/td>\n | sexo<\/span><\/span><\/td>\n | sab<\/span><\/span><\/td>\n | julgamento<\/span><\/span><\/td>\n<\/tr>\n\n| <\/td>\n | 17h30<\/span><\/span><\/td>\n | Curtas Mix Brasil: CORPO CRU (66′)<\/span><\/td>\n | Curtas Mix Brasil: LACRA\u00c7\u00d5ES PERIF\u00c9RICAS (93′)<\/span><\/td>\n | Competitiva Brasil: O NINHO (115′)<\/span><\/td>\n | Competitiva Brasil: CURTAS 4 – Amigues (94′)<\/span><\/td>\n | <\/td>\n | Competitiva Brasil: CURTAS 1 – Sagas (75′)<\/span><\/td>\n | Competitiva Brasil: DIVINAS DIVAS (90′)<\/span><\/td>\n | Competitiva Brasil: A DESTRUI\u00c7\u00c3O DE BERNARDET (72′)<\/span><\/td>\n | Competitiva Brasil: WAITING FOR B. (71′)<\/span><\/td>\n | Recap: M\u00c3E S\u00d3 H\u00c1 UMA (82′)<\/span><\/td>\n | Competitiva Brasil: LAMPI\u00c3O DA ESQUINA (85′)<\/span><\/td>\n<\/tr>\n\n| <\/td>\n<\/tr>\n | \n| <\/td>\n | 10 \/ nov<\/span><\/span><\/td>\n | 11 \/ nov<\/span><\/span><\/td>\n | 12 \/ nov<\/span><\/span><\/td>\n | 13 \/ nov<\/span><\/span><\/td>\n | 14 \/ nov<\/span><\/span><\/td>\n | 15 \/ nov<\/span><\/span><\/td>\n | 16 \/ nov<\/span><\/span><\/td>\n | 17 \/ nov<\/span><\/span><\/td>\n | 18 \/ nov<\/span><\/span><\/td>\n | 19 \/ nov<\/span><\/span><\/td>\n | 20 \/ nov<\/span><\/span><\/td>\n<\/tr>\n\n| quem<\/span><\/span><\/td>\n | sexo<\/span><\/span><\/td>\n | sab<\/span><\/span><\/td>\n | julgamento<\/span><\/span><\/td>\n | se<\/span><\/span><\/td>\n | ter<\/span><\/span><\/td>\n | atrav\u00e9s de<\/span><\/span><\/td>\n | quem<\/span><\/span><\/td>\n | sexo<\/span><\/span><\/td>\n | sab<\/span><\/span><\/td>\n | julgamento<\/span><\/span><\/td>\n<\/tr>\n\n| <\/td>\n | 17h30<\/span><\/span><\/td>\n | Recap: AMORES URBANOS (96′)<\/span><\/td>\n | Curtas Mix Brasil: CORPO CRU (66′)<\/span><\/span><\/td>\n | Curtas Mix Brasil: TRANS FIN\u00cdSSIMAS (73′)<\/span><\/td>\n | Curtas Mix Brasil: CRESCENDO COM A DIVERSIDADE (55′)<\/span><\/td>\n | <\/td>\n | Recap: PRECISAMOS FALAR DO ASS\u00c9DIO (80′)<\/span><\/td>\n | Competitiva Brasil: ENTRE OS HOMENS DE BEM (104′)<\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n | \n| <\/td>\n<\/tr>\n | \n| <\/td>\n | 10 \/ nov<\/span><\/span><\/td>\n | 11 \/ nov<\/span><\/span><\/td>\n | 12 \/ nov<\/span><\/span><\/td>\n | 13 \/ nov<\/span><\/span><\/td>\n | 14 \/ nov<\/span><\/span><\/td>\n | 15 \/ nov<\/span><\/span><\/td>\n | 16 \/ nov<\/span><\/span><\/td>\n | 17 \/ nov<\/span><\/span><\/td>\n | 18 \/ nov<\/span><\/span><\/td>\n | 19 \/ nov<\/span><\/span><\/td>\n | 20 \/ nov<\/span><\/span><\/td>\n<\/tr>\n\n| quem<\/span><\/span><\/td>\n | sexo<\/span><\/span><\/td>\n | sab<\/span><\/span><\/td>\n | julgamento<\/span><\/span><\/td>\n | se<\/span><\/span><\/td>\n | ter<\/span><\/td>\n | atrav\u00e9s de<\/span><\/span><\/td>\n | quem<\/span><\/span><\/td>\n | sexo<\/span><\/span><\/td>\n | sab<\/span><\/span><\/td>\n | julgamento<\/span><\/span><\/td>\n<\/tr>\n\n| <\/td>\n | 16h<\/span><\/span><\/td>\n | Panorama Internacional: REAL BOY (80′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Panorama Internacional: A TERCEIRA PESSOA (57′) \/ ABRE: Eudy Simelane: Uma Vida Abreviada (18′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Panorama Internacional: A SUDOESTE DE SALEM: A HIST\u00d3RIA DAS QUATRO DE SAN ANTONIO (91′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Panorama Internacional: GROWING UP COY (82′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Panorama Internacional: QUEM VAI ME AMAR AGORA? (85′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Panorama Internacional: TAEKWONDO (105′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Panorama Internacional: HUNKY DORY (88′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n | \n| 18h<\/span><\/span><\/td>\n | Panorama Internacional: HELMUT BERGER, ATOR (90′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Panorama Internacional: ESTEROS (83′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Panorama Internacional: QUEM VAI ME AMAR AGORA? (85′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Curtas Mix Brasil: GIRL PLAY (90′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Panorama Internacional: HUNKY DORY (88′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/span><\/td>\n | Panorama Internacional: ESTRANHA (88′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Panorama Internacional: ESTEROS (83′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n | \n| 20h<\/span><\/span><\/td>\n | Panorama Internacional: JONATHAN (99′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Panorama Internacional: NA VERTICAL (100′) – legenda em portugu\u00eas<\/span><\/td>\n | Panorama Internacional: TH\u00c9O & HUGO (97′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Panorama Internacional: ABSOLUTELY FABULOUS: O FILME (91′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Panorama Internacional: LOOKING (85′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Panorama Internacional: NA VERTICAL (100′) – legenda em portugu\u00eas<\/span><\/td>\n | Panorama Internacional: AS VIDAS DE TH\u00c9R\u00c8SE (55′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n | \n| 22h<\/span><\/span><\/td>\n | Panorama Internacional: TAEKWONDO (105′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Panorama Internacional: \u00c9 APENAS O FIM DO MUNDO (97′) – legenda em portugu\u00eas<\/span><\/td>\n | Panorama Internacional: TOMCAT (114′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Panorama Internacional: ESTEROS (83′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Curtas Mix Brasil: HARDCORE BOYZ (95′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Panorama Internacional: O ORNIT\u00d3LOGO (117′) – legenda em portugu\u00eas-BR<\/span><\/td>\n | Panorama Internacional: JONATHAN (99′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n | \n| 23h55<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | Curtas Mix Brasil: HARDCORE BOYZ (95′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n | \n| <\/td>\n<\/tr>\n | \n| <\/td>\n | 10 \/ nov<\/span><\/span><\/td>\n | 11 \/ nov<\/span><\/span><\/td>\n | 12 \/ nov<\/span><\/span><\/td>\n | 13 \/ nov<\/span><\/span><\/td>\n | 14 \/ nov<\/span><\/span><\/td>\n | 15 \/ nov<\/span><\/span><\/td>\n | 16 \/ nov<\/span><\/span><\/td>\n | 17 \/ nov<\/span><\/span><\/td>\n | 18 \/ nov<\/span><\/span><\/td>\n | 19 \/ nov<\/span><\/span><\/td>\n | 20 \/ nov<\/span><\/span><\/td>\n<\/tr>\n\n| quem<\/span><\/span><\/td>\n | sexo<\/span><\/span><\/td>\n | sab<\/span><\/span><\/td>\n | julgamento<\/span><\/span><\/td>\n | se<\/span><\/span><\/td>\n | ter<\/span><\/td>\n | atrav\u00e9s de<\/span><\/span><\/td>\n | quem<\/span><\/span><\/td>\n | sexo<\/span><\/span><\/td>\n | sab<\/span><\/span><\/td>\n | julgamento<\/span><\/span><\/td>\n<\/tr>\n\n| <\/td>\n | 15h<\/span><\/span><\/td>\n | Panorama Internacional: OUT RUN (75′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Panorama Internacional: AS MULHERES QUE ELE DESPIU (99′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Panorama Internacional: STRIKE A POSE (83′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Competitiva Brasil: ENTRE OS HOMENS DE BEM (104′)<\/span><\/td>\n | Panorama Internacional: O MONSTRO NO ARM\u00c1RIO (90′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Panorama Internacional: VIVA (100′) – legenda em portugu\u00eas<\/span><\/td>\n | Panorama Internacional: AS MULHERES QUE ELE DESPIU (99′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n | \n| 17h<\/span><\/span><\/td>\n | Panorama Internacional: O MONSTRO NO ARM\u00c1RIO (90′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/span><\/td>\n | Foco Jo\u00e3o Pedro Rodrigues: CURTAS (74′) – legenda em ingl\u00eas<\/span><\/td>\n | Competitiva Brasil: WAITING FOR B. (71′)<\/span><\/td>\n | Competitiva Brasil: A CIDADE DO FUTURO (75′)<\/span><\/td>\n | Panorama Internacional: AS VIDAS DE TH\u00c9R\u00c8SE (55′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Panorama Internacional: \u00c9 APENAS O FIM DO MUNDO (97′) – legenda em portugu\u00eas<\/span><\/td>\n | Panorama Internacional: HELMUT BERGER, ATOR (90′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n | \n| 19h<\/span><\/span><\/td>\n | Competitiva Brasil: LAMPI\u00c3O DA ESQUINA (85′)<\/span><\/td>\n | Foco Jo\u00e3o Pedro Rodrigues: O ORNIT\u00d3LOGO (117′) – legenda em portugu\u00eas-BR<\/span><\/td>\n | Panorama Internacional: KIKI (94′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Competitiva Brasil: O NINHO (115′)<\/span><\/td>\n | Competitiva Brasil: ANTES O TEMPO N\u00c3O ACABAVA (85′)<\/span><\/td>\n | Panorama Internacional: ABSOLUTELY FABULOUS: O FILME (91′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Panorama Internacional: STRIKE A POSE (83′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n | \n| 21h30<\/span><\/span><\/td>\n | Panorama Internacional: TH\u00c9O & HUGO (97′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Foco Jo\u00e3o Pedro Rodrigues: O FANTASMA (90′)<\/span><\/td>\n | Competitiva Brasil: DIVINAS DIVAS (90′)<\/span><\/td>\n | Competitiva Brasil: A DESTRUI\u00c7\u00c3O DE BERNARDET (72′)<\/span><\/td>\n | Panorama Internacional: TOMCAT (114′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Panorama Internacional: LOOKING – O FILME (85′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | Panorama Internacional: KIKI (94′) – legenda eletr\u00f4nica em portugu\u00eas<\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n | \n| <\/td>\n<\/tr>\n | \n| <\/td>\n | 10 \/ nov<\/span><\/span><\/td>\n | 11 \/ nov<\/span><\/span><\/td>\n | 12 \/ nov<\/span><\/span><\/td>\n | 13 \/ nov<\/span><\/span><\/td>\n | 14 \/ nov<\/span><\/span><\/td>\n | 15 \/ nov<\/span><\/span><\/td>\n | 16 \/ nov<\/span><\/span><\/td>\n | 17 \/ nov<\/span><\/span><\/td>\n | 18 \/ nov<\/span><\/span><\/td>\n | 19 \/ nov<\/span><\/span><\/td>\n | 20 \/ nov<\/span><\/span><\/td>\n<\/tr>\n\n| quem<\/span><\/span><\/td>\n | sexo<\/span><\/span><\/td>\n | sab<\/span><\/span><\/td>\n | julgamento<\/span><\/span><\/td>\n | se<\/span><\/span><\/td>\n | ter<\/span><\/td>\n | atrav\u00e9s de<\/span><\/span><\/td>\n | quem<\/span><\/span><\/td>\n | sexo<\/span><\/span><\/td>\n | sab<\/span><\/span><\/td>\n | julgamento<\/span><\/span><\/td>\n<\/tr>\n\n| <\/td>\n | 16h00<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | Recap: AMORES URBANOS (96′)<\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n | \n| <\/td>\n<\/tr>\n | \n| <\/td>\n | 10 \/ nov<\/span><\/span><\/td>\n | 11 \/ nov<\/span><\/span><\/td>\n | 12 \/ nov<\/span><\/span><\/td>\n | 13 \/ nov<\/span><\/span><\/td>\n | 14 \/ nov<\/span><\/span><\/td>\n | 15 \/ nov<\/span><\/span><\/td>\n | 16 \/ nov<\/span><\/span><\/td>\n | 17 \/ nov<\/span><\/span><\/td>\n | 18 \/ nov<\/span><\/span><\/td>\n | 19 \/ nov<\/span><\/span><\/td>\n | 20 \/ nov<\/span><\/span><\/td>\n<\/tr>\n\n| quem<\/span><\/span><\/td>\n | sexo<\/span><\/span><\/td>\n | sab<\/span><\/span><\/td>\n | julgamento<\/span><\/span><\/td>\n | se<\/span><\/span><\/td>\n | ter<\/span><\/span><\/td>\n | atrav\u00e9s de<\/span><\/span><\/td>\n | quem<\/span><\/span><\/td>\n | sexo<\/span><\/span><\/td>\n | sab<\/span><\/span><\/td>\n | julgamento<\/span><\/span><\/td>\n<\/tr>\n\n| <\/td>\n | 16h00<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | Recap: AMORES URBANOS (96′)<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n | \n| <\/td>\n<\/tr>\n | \n| <\/td>\n | 10 \/ nov<\/span><\/span><\/td>\n | 11 \/ nov<\/span><\/span><\/td>\n | 12 \/ nov<\/span><\/span><\/td>\n | 13 \/ nov<\/span><\/span><\/td>\n | 14 \/ nov<\/span><\/span><\/td>\n | 15 \/ nov<\/span><\/span><\/td>\n | 16 \/ nov<\/span><\/span><\/td>\n | 17 \/ nov<\/span><\/span><\/td>\n | 18 \/ nov<\/span><\/span><\/td>\n | 19 \/ nov<\/span><\/span><\/td>\n | 20 \/ nov<\/span><\/span><\/td>\n<\/tr>\n\n| quem<\/span><\/span><\/td>\n | sexo<\/span><\/span><\/td>\n | sab<\/span><\/span><\/td>\n | julgamento<\/span><\/span><\/td>\n | se<\/span><\/span><\/td>\n | ter<\/span><\/span><\/td>\n | atrav\u00e9s de<\/span><\/span><\/td>\n | quem<\/span><\/span><\/td>\n | sexo<\/span><\/span><\/td>\n | sab<\/span><\/span><\/td>\n | julgamento<\/span><\/span><\/td>\n<\/tr>\n\n| <\/td>\n | 16h00<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | Recap: AMORES URBANOS (96′)<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n | \n| <\/td>\n<\/tr>\n | \n| <\/td>\n | 10 \/ nov<\/span><\/span><\/td>\n | 11 \/ nov<\/span><\/span><\/td>\n | 12 \/ nov<\/span><\/span><\/td>\n | 13 \/ nov<\/span><\/span><\/td>\n | 14 \/ nov<\/span><\/span><\/td>\n | 15 \/ nov<\/span><\/span><\/td>\n | 16 \/ nov<\/span><\/span><\/td>\n | 17 \/ nov<\/span><\/span><\/td>\n | 18 \/ nov<\/span><\/span><\/td>\n | 19 \/ nov<\/span><\/span><\/td>\n | 20 \/ nov<\/span><\/span><\/td>\n<\/tr>\n\n| quem<\/span><\/span><\/td>\n | sexo<\/span><\/span><\/td>\n | sab<\/span><\/span><\/td>\n | julgamento<\/span><\/span><\/td>\n | se<\/span><\/span><\/td>\n | ter<\/span><\/span><\/td>\n | atrav\u00e9s de<\/span><\/span><\/td>\n | quem<\/span><\/span><\/td>\n | sexo<\/span><\/span><\/td>\n | sab<\/span><\/span><\/td>\n | julgamento<\/span><\/span><\/td>\n<\/tr>\n\n| <\/td>\n | 16h00<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | Recap: AMORES URBANOS (96′)<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n | \n| <\/td>\n<\/tr>\n | \n| <\/td>\n | 10 \/ nov<\/span><\/span><\/td>\n | 11 \/ nov<\/span><\/span><\/td>\n | 12 \/ nov<\/span><\/span><\/td>\n | 13 \/ nov<\/span><\/span><\/td>\n | 14 \/ nov<\/span><\/span><\/td>\n | 15 \/ nov<\/span><\/span><\/td>\n | 16 \/ nov<\/span><\/span><\/td>\n | 17 \/ nov<\/span><\/span><\/td>\n | 18 \/ nov<\/span><\/span><\/td>\n | 19 \/ nov<\/span><\/span><\/td>\n | 20 \/ nov<\/span><\/span><\/td>\n<\/tr>\n\n| quem<\/span><\/span><\/td>\n | sexo<\/span><\/span><\/td>\n | sab<\/span><\/span><\/td>\n | julgamento<\/span><\/span><\/td>\n | se<\/span><\/span><\/td>\n | ter<\/span><\/span><\/td>\n | atrav\u00e9s de<\/span><\/span><\/td>\n | quem<\/span><\/span><\/td>\n | sexo<\/span><\/span><\/td>\n | sab<\/span><\/span><\/td>\n | julgamento<\/span><\/span><\/td>\n<\/tr>\n\n| <\/td>\n | 16h00<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | Recap: AMORES URBANOS (96′)<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n | \n| <\/td>\n<\/tr>\n | \n| <\/td>\n | 10 \/ nov<\/span><\/span><\/td>\n | 11 \/ nov<\/span><\/span><\/td>\n | 12 \/ nov<\/span><\/span><\/td>\n | 13 \/ nov<\/span><\/span><\/td>\n | 14 \/ nov<\/span><\/span><\/td>\n | 15 \/ nov<\/span><\/span><\/td>\n | 16 \/ nov<\/span><\/span><\/td>\n | 17 \/ nov<\/span><\/span><\/td>\n | 18 \/ nov<\/span><\/span><\/td>\n | 19 \/ nov<\/span><\/span><\/td>\n | 20 \/ nov<\/span><\/span><\/td>\n<\/tr>\n\n| quem<\/span><\/span><\/td>\n | sexo<\/span><\/span><\/td>\n | sab<\/span><\/span><\/td>\n | julgamento<\/span><\/span><\/td>\n | se<\/span><\/span><\/td>\n | ter<\/span><\/span><\/td>\n | atrav\u00e9s de<\/span><\/span><\/td>\n | quem<\/span><\/span><\/td>\n | sexo<\/span><\/span><\/td>\n | sab<\/span><\/span><\/td>\n | julgamento<\/span><\/span><\/td>\n<\/tr>\n\n| <\/td>\n | 16h00<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | Recap: AMORES URBANOS (96′)<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\nTeatro<\/span><\/td>\n<\/tr>\n\n| <\/td>\n | 10 \/ nov<\/span><\/span><\/td>\n | 11 \/ nov<\/span><\/span><\/td>\n | 12 \/ nov<\/span><\/span><\/td>\n | 13 \/ nov<\/span><\/span><\/td>\n | 14 \/ nov<\/span><\/span><\/td>\n | 15 \/ nov<\/span><\/span><\/td>\n | 16 \/ nov<\/span><\/span><\/td>\n | 17 \/ nov<\/span><\/span><\/td>\n | 18 \/ nov<\/span><\/span><\/td>\n | 19 \/ nov<\/span><\/span><\/td>\n | 20 \/ nov<\/span><\/span><\/td>\n<\/tr>\n\n| quem<\/span><\/span><\/td>\n | sexo<\/span><\/span><\/td>\n | sab<\/span><\/span><\/td>\n | julgamento<\/span><\/span><\/td>\n | se<\/span><\/span><\/td>\n | ter<\/span><\/span><\/td>\n | atrav\u00e9s de<\/span><\/span><\/td>\n | quem<\/span><\/span><\/td>\n | sexo<\/span><\/span><\/td>\n | sab<\/span><\/span><\/td>\n | julgamento<\/span><\/span><\/td>\n<\/tr>\n\n| <\/td>\n | 15h<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | A Princesa e a Costureira (60′)<\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n | \n| 21h<\/span><\/span><\/td>\n | <\/td>\n | Mergulho (80′)<\/span><\/td>\n | Mergulho (80′)<\/span><\/span><\/td>\n | Mergulho (80′)<\/span><\/span><\/td>\n | <\/td>\n | Show do Gongo (60′)<\/span><\/td>\n | <\/td>\n | <\/td>\n | O Evangelho Segundo Jesus, Rainha do C\u00e9u (60′)<\/span><\/td>\n | As Divinas M\u00e3os de Adam (60′)<\/span><\/td>\n | As Divinas M\u00e3os de Adam (60′)<\/span><\/span><\/td>\n<\/tr>\n\n| <\/td>\n<\/tr>\n | \n| <\/td>\n | 20h<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | Flores Amarelas (60′)<\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n | \n| 21h<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | O MEU LADO HOMEM, um cabar\u00e9 d\u2019esc\u00e1rnio (60′)<\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n | \n| <\/td>\n<\/tr>\n | \n| <\/td>\n | 21h<\/span><\/span><\/td>\n | Anatomia do Fauno (90′)<\/a><\/span><\/td>\n | Anatomia do Fauno (90′)<\/span><\/a><\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\nM\u00fasica<\/span><\/td>\n<\/tr>\n\n| <\/td>\n | 10 \/ nov<\/span><\/span><\/td>\n | 11 \/ nov<\/span><\/span><\/td>\n | 12 \/ nov<\/span><\/span><\/td>\n | 13 \/ nov<\/span><\/span><\/td>\n | 14 \/ nov<\/span><\/span><\/td>\n | 15 \/ nov<\/span><\/span><\/td>\n | 16 \/ nov<\/span><\/span><\/td>\n | 17 \/ nov<\/span><\/span><\/td>\n | 18 \/ nov<\/span><\/span><\/td>\n | 19 \/ nov<\/span><\/span><\/td>\n | 20 \/ nov<\/span><\/span><\/td>\n<\/tr>\n\n| quem<\/span><\/span><\/td>\n | sexo<\/span><\/span><\/td>\n | sab<\/span><\/span><\/td>\n | julgamento<\/span><\/span><\/td>\n | se<\/span><\/span><\/td>\n | ter<\/span><\/span><\/td>\n | atrav\u00e9s de<\/span><\/span><\/td>\n | quem<\/span><\/span><\/td>\n | sexo<\/span><\/span><\/td>\n | sab<\/span><\/span><\/td>\n | julgamento<\/span><\/span><\/td>\n<\/tr>\n\n| <\/td>\n | 16h<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | Novos Talentos – Coreografias<\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n | \n| 17h<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | Novos Talentos – Cantores<\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n | \n| 18h<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | Novos Talentos – Drag Queens<\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n | \n| 19h<\/span><\/span><\/td>\n | <\/td>\n | Jaloo<\/span><\/span><\/td>\n | Daniel Peixoto<\/span><\/td>\n | <\/td>\n | <\/td>\n | As Bahias e a Cozinha Mineira<\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\nConfer\u00eancia<\/span><\/td>\n<\/tr>\n\n| <\/td>\n | 10 \/ nov<\/span><\/span><\/td>\n | 11 \/ nov<\/span><\/span><\/td>\n | 12 \/ nov<\/span><\/span><\/td>\n | 13 \/ nov<\/span><\/span><\/td>\n | 14 \/ nov<\/span><\/span><\/td>\n | 15 \/ nov<\/span><\/span><\/td>\n | 16 \/ nov<\/span><\/span><\/td>\n | 17 \/ nov<\/span><\/span><\/td>\n | 18 \/ nov<\/span><\/span><\/td>\n | 19 \/ nov<\/span><\/span><\/td>\n | 20 \/ nov<\/span><\/span><\/td>\n<\/tr>\n\n| quem<\/span><\/span><\/td>\n | sexo<\/span><\/span><\/td>\n | sab<\/span><\/span><\/td>\n | julgamento<\/span><\/span><\/td>\n | se<\/span><\/span><\/td>\n | ter<\/span><\/span><\/td>\n | atrav\u00e9s de<\/span><\/span><\/td>\n | quem<\/span><\/span><\/td>\n | sexo<\/span><\/span><\/td>\n | sab<\/span><\/span><\/td>\n | julgamento<\/span><\/span><\/td>\n<\/tr>\n\n| <\/td>\n | 14h<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | Crian\u00e7as E Adolescentes Trans (Mesa de Debate 120′)<\/span><\/td>\n | Intersec\u00e7\u00e3o Na Pr\u00e1tica (Mesa de Debate 120′)<\/span><\/td>\n<\/tr>\n\n| 16h30<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | Diversidade Organizacional (Mesa de Debate 120′)<\/span><\/td>\n | Masculinidades (Mesa de Debate 120′)<\/span><\/td>\n | Queer No Brasil (Mesa de Debate 120′)<\/span><\/td>\n<\/tr>\n\n| 18h<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | Malonna Para Todes (Performance 20′)<\/span><\/td>\n<\/tr>\n\n| 19h<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | Religi\u00e3o E Sexualidade (Mesa de Debate 120′)<\/span><\/td>\n | LGBTQIA+ M\u00ednimo Denominador Comum (Mesa de Debate 120′)<\/span><\/td>\n | <\/td>\n<\/tr>\n | \n| <\/td>\n<\/tr>\n | \n| <\/td>\n | 10 \/ nov<\/span><\/span><\/td>\n | 11 \/ nov<\/span><\/span><\/td>\n | 12 \/ nov<\/span><\/span><\/td>\n | 13 \/ nov<\/span><\/span><\/td>\n | 14 \/ nov<\/span><\/span><\/td>\n | 15 \/ nov<\/span><\/span><\/td>\n | 16 \/ nov<\/span><\/span><\/td>\n | 17 \/ nov<\/span><\/span><\/td>\n | 18 \/ nov<\/span><\/span><\/td>\n | 19 \/ nov<\/span><\/span><\/td>\n | 20 \/ nov<\/span><\/span><\/td>\n<\/tr>\n\n| quem<\/span><\/span><\/td>\n | sexo<\/span><\/span><\/td>\n | sab<\/span><\/span><\/td>\n | julgamento<\/span><\/span><\/td>\n | se<\/span><\/span><\/td>\n | ter<\/span><\/td>\n | atrav\u00e9s de<\/span><\/span><\/td>\n | quem<\/span><\/span><\/td>\n | sexo<\/span><\/span><\/td>\n | sab<\/span><\/span><\/td>\n | julgamento<\/span><\/span><\/td>\n<\/tr>\n\n| <\/td>\n | 12h<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | Lembran\u00e7a Transg\u00eanero \/ Trans Day Of Remembrance (Cerim\u00f4nia 120′)<\/span><\/td>\n<\/tr>\n\n| 18h30<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | Sexualidade Fora Da Caixa (Festa de Encerramento 150′)<\/span><\/td>\n<\/tr>\n\n| <\/td>\n<\/tr>\n | \n| <\/td>\n | 10 \/ nov<\/span><\/span><\/td>\n | 11 \/ nov<\/span><\/span><\/td>\n | 12 \/ nov<\/span><\/span><\/td>\n | 13 \/ nov<\/span><\/span><\/td>\n | 14 \/ nov<\/span><\/span><\/td>\n | 15 \/ nov<\/span><\/span><\/td>\n | 16 \/ nov<\/span><\/span><\/td>\n | 17 \/ nov<\/span><\/span><\/td>\n | 18 \/ nov<\/span><\/span><\/td>\n | 19 \/ nov<\/span><\/span><\/td>\n | 20 \/ nov<\/span><\/span><\/td>\n<\/tr>\n\n| quem<\/span><\/span><\/td>\n | sexo<\/span><\/span><\/td>\n | sab<\/span><\/span><\/td>\n | julgamento<\/span><\/span><\/td>\n | se<\/span><\/span><\/td>\n | ter<\/span><\/span><\/td>\n | atrav\u00e9s de<\/span><\/span><\/td>\n | quem<\/span><\/span><\/td>\n | sexo<\/span><\/span><\/td>\n | sab<\/span><\/span><\/td>\n | julgamento<\/span><\/span><\/td>\n<\/tr>\n\n| <\/td>\n | 14h<\/span><\/span><\/td>\n | Os conceitos b\u00e1sicos da comunica\u00e7\u00e3o de empoderamento I (curso de 6h)<\/span><\/td>\n | Comunica\u00e7\u00e3o de empodera-mento II (Curso de 6h)<\/span><\/td>\n | Justi\u00e7a restaurativa: c\u00edrculo (de paz) e di\u00e1logo (Roda de Conversa 150′)<\/span><\/td>\n | Colabora\u00e7\u00e3o atrav\u00e9s das diferen\u00e7as de poder (Curso de 7h)<\/span><\/td>\n | <\/td>\n | M\u00e3es Pela Diversidade (Roda de Conversa 120′)<\/span><\/td>\n | Comunica\u00e7\u00e3o De Empodera-mento Atrav\u00e9s Dos G\u00eaneros (Curso de 7h’)<\/span><\/td>\n | Qual \u00c9 O Espa\u00e7o Dos Adolescentes No Movimento LGBT (Roda de Conversa de 4h)<\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n | \n| 17h30<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | Galinhagem \u00c9tica E Intimidade Profunda (Curso de 120′)<\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n | \n| 18h<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | Comunica\u00e7\u00e3o de empodera-mento atrav\u00e9s das diferen\u00e7as: privil\u00e9gio e ra\u00e7a (Curso de 180′)<\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n | \n| 18h30<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | Produ\u00e7\u00e3o Liter\u00e1ria (Oficina 150′)<\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n | \n| <\/td>\n<\/tr>\n | \n| <\/td>\n<\/tr>\n | \n| <\/td>\n | 10 \/ nov<\/span><\/span><\/td>\n | 11 \/ nov<\/span><\/span><\/td>\n | 12 \/ nov<\/span><\/span><\/td>\n | 13 \/ nov<\/span><\/span><\/td>\n | 14 \/ nov<\/span><\/span><\/td>\n | 15 \/ nov<\/span><\/span><\/td>\n | 16 \/ nov<\/span><\/span><\/td>\n | 17 \/ nov<\/span><\/span><\/td>\n | 18 \/ nov<\/span><\/span><\/td>\n | 19 \/ nov<\/span><\/span><\/td>\n | 20 \/ nov<\/span><\/span><\/td>\n<\/tr>\n\n| quem<\/span><\/span><\/td>\n | sexo<\/span><\/span><\/td>\n | sab<\/span><\/span><\/td>\n | julgamento<\/span><\/span><\/td>\n | se<\/span><\/span><\/td>\n | ter<\/span><\/td>\n | atrav\u00e9s de<\/span><\/span><\/td>\n | quem<\/span><\/span><\/td>\n | sexo<\/span><\/span><\/td>\n | sab<\/span><\/span><\/td>\n | julgamento<\/span><\/span><\/td>\n<\/tr>\n\n| <\/td>\n | 14h<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | Precisamos Falar Do Ass\u00e9dio (Filme + Debate 120′)<\/span><\/td>\n | Precisamos falar sobre a cultura do estupro (Oficina 165′)<\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | Pr\u00e1tica de comunica\u00e7\u00e3o atrav\u00e9s da lente interseccional de ra\u00e7a e g\u00eanero (Curso 4h)<\/span><\/td>\n | Fazer A Paz Com A Raiva (Curso 5h)<\/span><\/td>\n | Desconstruin-do o HIV em Alto e Bom Som (Roda de Conversa 120′)<\/span><\/td>\n | <\/td>\n<\/tr>\n | \n| 16h<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | Aliados, Alian\u00e7as E Subvers\u00e3o Pol\u00edtica Contra O \u00d3dio E A Intoler\u00e2ncia (Roda de Conversa 150′)<\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n | \n| 16h30<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | Precisamos falar sobre a cultura do estupro (Oficina 180′)<\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | Integra\u00e7\u00e3o De Dualidades E Contradi\u00e7\u00f5es (Curso de 120′)<\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n | \n| 17h<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | A teoria do apego (Curso 120′)<\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n | \n| 18h30<\/span><\/span><\/td>\n | [SSEX BBOX], O filme (Filme + Debate 150′)<\/span><\/td>\n | Sem Pena (Filme + Debate 150′)<\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | Queer Na Pr\u00e1tica Pelo Mundo (Roda de Conversa 150′)<\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n | \n| 19h<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | O Di\u00e1logo Como Investimento Pol\u00edtico: Verdade, Pol\u00edtica E A\u00e7\u00e3o (Roda de Conversa 120′)<\/span><\/td>\n | Diversity Bbox (Roda de Conversa 120′)<\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n | \n| 19h30<\/span><\/span><\/td>\n | <\/td>\n | <\/td>\n | Bissexualidade (Roda de Conversa 90′)<\/span><\/td>\n | Hip Hop Mulher (Roda de Conversa 90′)<\/span><\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n | <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":" Filmes 10 \/ nov 11 \/ nov 12 \/ nov 13 \/ nov 14 \/ nov 15 \/ nov 16 \/ nov 17 \/ nov 18 \/ nov 19 \/ nov 20 \/ nov quem sexo sab julgamento se ter atrav\u00e9s de quem sexo sab julgamento 16h30 Curtas Mix Brasil: CIS & HT (74′) – …<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-231","page","type-page","status-publish","hentry"],"yoast_head":"\n Programa\u00e7\u00e3o - 24\u00ba Festival Mix Brasil | 2016<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/old.mixbrasil.org.br\/24\/programacao\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Programa\u00e7\u00e3o - 24\u00ba Festival Mix Brasil | 2016\" \/>\n<meta property=\"og:description\" content=\"Filmes 10 \/ nov 11 \/ nov 12 \/ nov 13 \/ nov 14 \/ nov 15 \/ nov 16 \/ nov 17 \/ nov 18 \/ nov 19 \/ nov 20 \/ nov quem sexo sab julgamento se ter atrav\u00e9s de quem sexo sab julgamento 16h30 Curtas 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