{"id":2939,"date":"2017-11-29T11:00:09","date_gmt":"2017-11-29T13:00:09","guid":{"rendered":"http:\/\/mixbrasil.org.br\/?p=2939"},"modified":"2017-11-29T11:00:09","modified_gmt":"2017-11-29T13:00:09","slug":"the-mourning-show","status":"publish","type":"post","link":"https:\/\/old.mixbrasil.org.br\/25\/the-mourning-show\/","title":{"rendered":"The Mourning Show"},"content":{"rendered":"

SCHEDULE:<\/strong><\/p>\n

\n
November 24 \u2013 CCSP \u2013 Sala Jardel Filho \u2013\u00a0 9 pm<\/div>\n
\n
November 25 \u2013 CCSP \u2013 Sala Jardel Filho \u2013\u00a0 9 pm<\/div>\n
November 26 \u2013 CCSP \u2013 Sala Jardel Filho \u2013\u00a0 6pm<\/div>\n
<\/div>\n<\/div>\n<\/div>\n

Conception and cast<\/strong>: Matheus Nachtergaele
\nTexts<\/strong>: Maria Cec\u00edlia Nachtergaele
\nGuitar and arrangements<\/strong>: Lu\u00e3 Belik
\nViolin<\/strong>: Bryan Diaz
\nLighting design<\/strong>: Orlando Schaider
\nSound design<\/strong>: Andrea Zeni
\nBody training<\/strong>: Natasha Mesquita
\nVocal training<\/strong>: C\u00e9lio Rentroya
\nMaid\/stagehands<\/strong>: Cedeli Martinusso
\nSocial medias<\/strong>: Rodrigo Pires
\nVisual arts<\/strong>: Claudio Portugal\/Karina Abicalil
\nPress office<\/strong>: Passarim Comunica\u00e7\u00e3o\/Silvana E. Santo
\nLegal and accountant support<\/strong>: Lilian Santiago (Coarte)
\nExecutive producer<\/strong>: Valeria Luna e Sergio Maia
\nProduction coordinator<\/strong>: A Gente Se Fala Produ\u00e7\u00f5es Art\u00edsticas
\nProduction director<\/strong>: Miriam Juvino
\nAccomplishment<\/strong>: P\u00e1ssaro da Noite Produ\u00e7\u00f5es<\/p>\n

This performance was named, in its original title, Processo de conscerto do desejo because few words are so commonly confused in Portuguese as “concerto” (concert) and “conserto” (repair). Here, they blend vertiginously. The word \u201cdesejo\u201d (desire), in philosophy, would be the tension toward an end from which satisfaction is expected. Traditionally, desire infers lack, or some kind of shortage: the one who would need nothing, wouldn\u2019t desire anything. He would be a perfect being, a God. That is why philosophy so often would point out desire as the first characteristic of the imperfect being, of the finite one. I want to repair my desire with poetry, in a concert. I explain: my mother, the poet Maria Cec\u00edlia Nachtergaele, passed away by the time I was a three-month baby. She left me with nothing more than her poems, beautiful and mature, writings of a young woman, modern and sad, and this vein that pop out in my forehead whenever I laugh or cry much. In Processo de conscerto do desejo (The mourning show), accompanied by the young acoustic guitar player Lu\u00e3 Belik and by violinist Bryan Diaz, I\u2019ll finally say the poems I\u2019ve kept in my eyes and soul as her only legacy. The performance is as simple as that: a man (who\u2019s by chance an actor) says on stage his mom\u2019s written words. An acoustic guitar (not by chance as Maria Cec\u00edlia used to love acoustic guitars) accompanied him. That\u2019s it, if that\u2019s not enough.<\/p>\n

 <\/p>\n

Running Time<\/strong>: 80′<\/p>\n

Advisory Rating:\u00a0<\/strong>16 years<\/p>\n","protected":false},"excerpt":{"rendered":"

SCHEDULE: November 24 \u2013 CCSP \u2013 Sala Jardel Filho \u2013\u00a0 9 pm November 25 \u2013 CCSP \u2013 Sala Jardel Filho \u2013\u00a0 9 pm November 26 \u2013 CCSP \u2013 Sala Jardel Filho \u2013\u00a0 6pm Conception and cast: Matheus Nachtergaele Texts: Maria Cec\u00edlia Nachtergaele Guitar and arrangements: Lu\u00e3 Belik Violin: Bryan Diaz Lighting design: Orlando Schaider Sound …<\/p>\n","protected":false},"author":14,"featured_media":1068,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[272,270],"tags":[],"class_list":["post-2939","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-plays","category-theatre"],"_links":{"self":[{"href":"https:\/\/old.mixbrasil.org.br\/25\/wp-json\/wp\/v2\/posts\/2939","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/old.mixbrasil.org.br\/25\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/old.mixbrasil.org.br\/25\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/old.mixbrasil.org.br\/25\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/old.mixbrasil.org.br\/25\/wp-json\/wp\/v2\/comments?post=2939"}],"version-history":[{"count":1,"href":"https:\/\/old.mixbrasil.org.br\/25\/wp-json\/wp\/v2\/posts\/2939\/revisions"}],"predecessor-version":[{"id":2940,"href":"https:\/\/old.mixbrasil.org.br\/25\/wp-json\/wp\/v2\/posts\/2939\/revisions\/2940"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/old.mixbrasil.org.br\/25\/wp-json\/wp\/v2\/media\/1068"}],"wp:attachment":[{"href":"https:\/\/old.mixbrasil.org.br\/25\/wp-json\/wp\/v2\/media?parent=2939"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/old.mixbrasil.org.br\/25\/wp-json\/wp\/v2\/categories?post=2939"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/old.mixbrasil.org.br\/25\/wp-json\/wp\/v2\/tags?post=2939"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}