For the third year on the row, Mix Brasil promotes the MixLab Spcine, an event designed to advance the exchange of experiences and professional relationships,
\nthrough presentations, lectures, and debates.
\nFilmmakers presenting works at the Festival and other audiovisual professionals from Brazil and abroad, will meet at the Cinemateca and the Centro Cultural S\u00e3o Paulo (CCSP), on November 19th and 20th.<\/p>\n
CINEMATECA \/ PETROBRAS: total 195min<\/b><\/p>\n
19\/NOV\/18<\/b>
\n<\/b><\/p>\n
10H – 11H INTRODU\u00c7\u00c3O – 60min<\/b><\/p>\n
introduction<\/strong>\u00a0selected directors \/ pitch your works<\/p>\n <\/strong><\/span><\/i>The 3rd MixLab Spcine opening act proposes a presentation of all selected films representatives. We\u2019ve invited directors and\/or their 11H – 11H45\u00a0Cinematography: latin-american identity – 45min<\/b> MixLab Spcine welcomes Latin-American filmmakers to discuss the production and exhibition process in Brazil and abroad, in order 11h45 – 12H30\u00a0Acting: ways of performative – 45min <\/span>Reflection on the female performative. How to deconstruct heterocentric woman\u2019s performative to move around in a performance Marcelo Caetano<\/span><\/p>\n In the class, some of the relationships between the work of the director and the actors will be discussed, from casting to the film set, to CCSP \/ LIMA BARRETO- 210 min<\/b><\/p>\n 20\/NOV\/18<\/b><\/p>\n 11H – 12H Directing actors: build the action<\/b>\u00a0– 60min<\/strong><\/span> How to transform an idea into a (moving) image? How to translate a song into image? MixLab Spcine brought two important 12H – 13H\u00a0Director duos: challenges and benefits – 60min<\/b><\/p>\n Thais Guisasola \/ Simon (e) J. Paetau (O Sussurro do Jaguar) The debate proposes that the directors duo talk about the collective experience of materializing the filmic idea, from different <\/p>\n 13h15 – 13h45 spcine play new platforms: cinema at home – 30min<\/b> A chat on the market with the most knowledgeable audiovisual people in S\u00e3o Paulo \u2013 Spcine, that has just launched Spcine Play. In How do the games tell their stories? Why do we live in a transmidia era? How to produce screenplays for interactive narratives that For the third year on the row, Mix Brasil promotes the MixLab Spcine, an event designed to advance the exchange of experiences and professional relationships, through presentations, lectures, and debates. Filmmakers presenting works at the Festival and other audiovisual professionals from Brazil and abroad, will meet at the Cinemateca and the Centro Cultural S\u00e3o Paulo …<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-1175","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"\n
\nrepresentatives to introduce, briefly and concisely, themselves and the work they represent at the Festival..<\/span>
\n<\/span><\/p>\n
\n<\/span><\/i>
\nHelena Ignez (Brasil) \/ Ruth Caudeli (Colombia) \/ Sebastian Silva (Chile\/USA) <\/span><\/p>\n
\nto think of a Latin identity, concerning its social features inserted in contemporary films. They had their films shown in film festivals
\naround the world and can talk about the different audiovisual realities under diverse perspectives, in many countries and industries.<\/p>\n
\n<\/b>
\nAna Flavia Cavalcanti \/ Silvia Varon \/ Gilda Nomacce<\/p>\n
\nwhere other forms of gestures are presupposed, by which the identity, mainly the gender ones, is built at and through a discourse
\nof someone always in progress, \u201cwhere the identity, of a woman, is an ever-changing, a construction with no origin or end\u201d
\n(C\u00e1ssio Ara\u00fajo Rocha).
\n<\/span>
\n<\/span><\/i>12h45 – 13h30\u00a0 Directing actors: build the action – 45min<\/b><\/p>\n
\npreparing and rewriting the script from the tests.<\/span><\/p>\n
\n<\/span><\/i>Heloisa Passos \u00a0\/ Jo\u00e3o Monteiro \/ Matheus Rocha <\/span><\/p>\n
\ncontemporary cinematographers who have worked either with feature films (fiction or documentaray) or musical videos together to
\ndiscuss the role of a professional in the creative process in film.<\/span><\/p>\n
\n<\/span>Filipe Matzembacher \/ Marcio Reolon (Tinta Bruta)<\/span><\/p>\n
\nperceptions and sensibilities. Talking to the other is also thinking of freedom and respect.<\/p>\n
\n<\/span>Alessandra Dorgan, Daniel Celli <\/span><\/p>\n
\nthe 3rd MixLab, Spcine Play manager Alessandra Dorgan and S\u00e3o Paulo Film Commission coordinator Daniel Celli introduce the many
\nSpcine audiovisual projects in S\u00e3o Paulo city.<\/p>\n
\n13h45 – 14h30\u00a0 Cine game: from the move script to the game – 45min
\n<\/b>Arthur Protasio, Tiani Pixel, Marina Pecoraro<\/span><\/p>\n
\ndialogue with the audiovisual? How to bring up the discussion about gender representation and the appreciation of diversity in these
\nworks? To discuss these questions, storytelling writer and designer Arthur Protasio and game developer Tiani Pixel will present their
\nnarrative experiences and perspectives for the future of producing more diverse content in which everyone feels represented in the
\ngames!<\/p>\n","protected":false},"excerpt":{"rendered":"